A

Archibald, David (2024) Peat Bog Soldiers: How an experimental Scottish band contributed to a concentration camp archive in Germany. Conversation.

B

Barker, Timothy (2024) Artificial creativity: a process philosophy of technology perspective. Journal of Continental Philosophy, 5 (1). pp. 93-115. ISSN 2688-3554

C

Clive, Rachel (2024) The Performic Cycle: release and reorganise. Research in Drama Education: The Journal of Applied Theatre and Performance, 29 (2). pp. 354-362. ISSN 1356-9783

E

Eleftheriotis, Dimitris (2024) 'Being in the World': a photo essay. Journal of Greek Media and Culture, 10 (2). pp. 245-272. ISSN 2052-3971

G

Greer, Stephen (2024) Ghosts and Jumbies: decolonial live art in Scotland. Contemporary Theatre Review, 34 (3). pp. 359-373. ISSN 1048-6801

Greer, Stephen and Patey-Ferguson, Phoebe (2024) Live Art: radicalism and complicity in a scene of constraint. Contemporary Theatre Review, 34 (3). pp. 231-250. ISSN 1048-6801

K

Kuhn, Annette and Llinares, Dario and Neely, Sarah (2024) Reflections on researching cinema memory and the (r)evolution of digital archiving. Participations: Journal of Audience and Reception Studies, 20 (1). pp. 117-138. ISSN 1749-8716

L

Lim, Michael Kho and Chuangchai, Phitchakan (2024) The making of the ‘Old Town Sakon Nakhon Creative District’ in Thailand: a process evaluation study of the creative placemaking agenda through festivalisation. City, Culture and Society, 38: 100595. ISSN 1877-9166

Loveridge, Carolyn J. and Docherty, Frances and Honeychurch, Sarah and Tasler, Nathalie and Soler, Linnea and Pope, Lindsey and Price, Victoria E. and Dickson, Beth (2024) What brought us together to form a community for scholarship. International Journal for the Scholarship of Teaching and Learning, 18 (1): 3. ISSN 1931-4744

N

Nedelkopoulou, Eirini (2024) How to be human in drone culture: in search of a pharmacological recompense through performance. Theatre Journal, 76 (1). pp. 63-84. ISSN 0192-2882